Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends --Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind as Begbie and Sick Boy come knocking.
"Choose life."
Top Billed Cast
Ewan McGregor
Renton
Ewen Bremner
Spud
Jonny Lee Miller
Sick Boy
Kevin McKidd
Tommy
Robert Carlyle
Begbie
Kelly Macdonald
Diane
Peter Mullan
Swanney
James Cosmo
Renton's Father
Detailed Critic & Audience Reviews
C CinemaSerfVerified TMDB Critic
2023-08-27
25 years on, and this Danny Boyle effort has lost little of it's authentic, gritty, potency. Set in mid 1990s Edinburgh it follows the antics of a disparate group of friends whose only goals in life are to survive, maybe get laid, and to take each day as it comes... "Begbie" (Robert Carlyle) is their psychopathically charged leader, who thinks nothing of smashing a glass in someone's face; "Spud" (Ewan Bremner) and "Sick Boy" (Jonny Lee Miller) just lurch from one day to the next looking for a fix; "Tommy" (Kevin McKidd) at least tries to live with some semblance of normality - he has a steady...
R r96skVerified TMDB Critic
2024-05-30
Not the most enthralling, but <em>'Trainspotting'</em> does have plenty to say - and boy does it portray it!
There are particularly strong performances from Ewan McGregor, Ewen Bremner and Robert Carlyle. I didn't like watching the bunch of characters given how severely unlikeable they are. Of course, that is very much the intention so it's a credit to the actors and the filmmakers at how convincing it all is. The humour is weaker than expected, perhaps due to the horrors of the plot taking centre stage.
Their struggles are showed in a heavy manner, to the point I did feel uncomfortable ...
B badelfVerified TMDB Critic
2026-03-17
**Trainspotting** (1996)
_Directed by Danny Boyle_
Danny Boyle's Trainspotting is sardonic in the truest sense, both in style and story. It doesn't make fun of addiction, doesn't glamorize it, doesn't preach about it. Instead, it presents the whole grotesque cycle with dark wit and visual audacity, letting you see exactly how absurd and horrifying and inevitable it all is. The film is as much about what creates addiction—Thatcher's Britain, economic collapse, a generation with no prospects staring into the void—as it is about the addiction itself.
