When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
"A new and altogether different screen excitement!"
Required viewing.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._...
“We all go a little mad sometimes. Haven't you?”
A Phoenix secretary, Marion Crane (Janet Leigh), embezzles $40,000 and rashly flees town, ending up at a remote motel in Fairvale, California, where she encounters the eccentric Mama’s boy Norman Bates (Anthony Perkins). Mixed into this web is a private investigator (Martin Balsam), Marion’s sister (Vera Miles) and Marion’s secret beau (John Gavin).
Directed by Alfred Hitchcock based on Robert Bloch’s book, “Psycho” made a huge impact when it was released in 1960. It contains a plot development that was groundbreaking at th...
My most favourite film from the master of suspense.
This psychological horror is widely considered to be the first ever slasher film. Powered by great performances from Anthony Perkins & Janet Leigh, and the outstanding score by Bernard Herrmann which adds such great tension throughout the film, it is unarguably the greatest thriller ever made. Only Alfred Hitchcock could make a film so entertaining and so horrifying at the same time.
The climax continues to haunt me forever....
Amazingly, this is my first ever viewing, not sure why I waited so long, but finally got around to it. Great movie in every way from the performance by Anthony Perkins to the atmosphere, enjoyed every bit of this even though I basically knew the entire plot at this point since all iconic scenes and lines have been repeated over the years. Not sure this is my *favorite* Hitchcock movie as I still prefer Rear Window, but obvious why it has held up 60 years later. **4.5/5**...
There is so much more to this film than just that famous scene in the shower - and so much of it belongs to the marvellous scoring of Bernard Herrmann. His ability to use those screeching strings, and the pace of his music does so much of the heavy lifting that gives this film a sense of accumulating menace that makes it still, after over 60 years, a masterful piece of cinema. Janet Leigh wants to make a go of things with her cash-strapped hunky boyfriend "Sam" (John Gavin) so when an unexpected opportunity arises at work that puts $40,000 in her lap, she skips town and takes refuge during a t...