**A film that recreates the modus vivendi of the 50s suburbs, but fails to give us a story with tension and suspense that we can adhere to.**
Any Cohen Brothers film is always a film that promises not to be like any other. Their style is quite unique and does not suit everyone. And this time they bring us a film that is entirely about the importance of appearances, the rottenness they cover up, and a certain self-destruction latent beneath an impeccable appearance. It's a film that tries to teach us that nothing is what it seems, nothing is perfect, there are no paradises on Earth, and ever...
Suburbicon
In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.
"Welcome to the neighborhood"
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The Coens are experts in their ability to write a political satire, or a movie with a strong political message, and make it feel natural and organic to the plot so much so that, even if you don't agree with whatever they are trying to say, you don't care because they are still telling a great story...and the story always comes first.
However, put George Clooney at the helm and all the talent that the Coens have for expertly into a stylish story goes straight out the window.
And the result is...a bore.
Clooney put the politics above the story and you can tell. It felt preachy, it felt ...