Not convinced this is a greatly made movie, but it sure does pack a punch!
<em>'The Boy in the Striped Pyjamas'</em> makes for good viewing for the majority, though that ending really is quite something - startling in fact, and that's even with me sensing it. The aforementioned is because, as well as the way the film builds in general, I'm pretty certain I watched this at high school; just not sure if it was snippets or the whole thing, the fence scenes are the only ones I vaguely recall seeing.
The low acting level of the youngsters did take me out a bit, no dislike to Asa Butterfield a...
The Boy in the Striped Pyjamas
When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.
"Lines may divide us, but hope will unite us."
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**Summary: 2/10: well-acted, handsomely made, and morally inverted, a film so intent on manufacturing sympathy for a commandant's family that it forgets, or worse, quietly excuses, whose deaths it was supposed to be mourning.**
I haven't read John Boyne's novel, so I can't tell you where the book's failures end and the film's begin. I can only tell you what arrived on screen, and what arrived on screen is a Holocaust memory film that gets the craft right and the moral geometry catastrophically wrong.
The acting is not the problem. Asa Butterfield is believable as a bored, incurious...