Secrets & Lies

SECRETS AND LIES is a 1996 film by Mike Leigh that, appropriately enough, is concerned with the things that members of a family conceal from each other.

Hortense (Marianne Jean-Baptiste), a black woman in London who has made a successful career as an optician, knew from a young age that she was adopted, but only after her adopted mother's death does she decide to look up her birth mother. Hortense is shocked to find that it is Cynthia (Brenda Blethyn), not just white but living in near-poverty and wallowing in regret. Cynthia has a tumultuous relationship with her acknowledged daughter Roxa...

If I ever get around to drawing up a list of my top 25 favorite non-blockbuster movies, Secrets and Lies would roll in very near the top. I have watched it a few times and expect I will continue to do so periodically.

The acting is phenomenal. It is an ensemble cast, for sure, no superstars, but three of the main actors: Timothy Spall, Brenda Blethyn and Claire Rushbrook, are among the best that Great Britain has produced. What I first saw this film, it was literally the first time I had seen those three perform, and I quickly learned to seek them out in other projects. I believe the movie ...

**A good work, currently forgotten.**

Just when I think I've seen all sorts of movies about racism, issues of race or prejudice, there's something new that comes out of nowhere, or some meritorious, well-made effort that's worth seeing. This film, initially, seemed to me just a sweet and average drama in which a black woman, very successful, decides to discover the identity of her biological mother and discovers that she is white, and the difficulties and dramas of her family. It was nominated for six Oscars, losing them one by one, but without any demerits.

Observing the film very close...

_Secrets & Lies_ is a compelling film that delves into the themes of family, identity, and the profound impact of shame on relationships. It skillfully intertwines raw emotion with a sense of honesty that reverberates throughout the narrative. The performances are remarkably authentic, fostering a strong connection with the characters and their struggles with their own secrets.

The dialogue feels genuine and relatable, capturing how people talk, which adds to the film's authenticity. Each moment unfolds in a way that feels true to life, drawing you into the narrative and prompting you to re...

I reckon the fact that so many nations put this on their awards radar must suggest a lot of resonance with families, not just in Britain, who are having to come to terms with a myriad of contentious circumstances as they try to live day to day. This centres around the drink-loving “Cynthia” (Brenda Blethyn) who lives with a daughter “Roxanne” (Claire Rushbrook) who has a lively rapport with her boyfriend “Paul” (Lee Ross). Then she gets a phone call from a woman calling herself “Elizabeth”. No, not her dead mum but her long-since adopted daughter. Yep, it’s that brutal. Not s...