**Action, lots of action, in a slow but elegant film.**
It was the first time, to my knowledge, that I saw a film made in Hong Kong. John Woo, its director, gained some international notoriety and would even, long after this film, have some work in western cinema. In general, I liked the movie. I'm not an undefeated fan of action cinema, but I felt that this film manages to balance the explosive action (even better and more intense than in North American films) with a satisfying script. The story revolves around a professional killer who, after accidentally blinding a bar singer, starts to ...
The Killer
Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim's sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.
"One vicious hitman. One fierce cop. Ten thousand bullets."
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63/100
After accidentally blinding a singer, an assassin vows one last job to pay for corneal transplants. You can guess how that went. This early, ultra-typical John Woo / Chow Yun-Fat film, with its massive body count and guns with enough ammo to shoot a parade of attackers at least a half dozen times each, still manages to present a good story with real, personal characters and heartfelt relationships. True that they seem forced and kinda rushed but when you'll dealing with a film that's 75% bloody violence, you make the best with what you have left. Good stuff. - DrNostromo.com...